Buy Grotesque Visions: The Science of Berlin Dada 1st Edition PDF ebook by author Thomas O. Haakenson – published by Bloomsbury Academic USA in 2021 and save up to 80% compared to the print version of this textbook. With PDF version of this textbook, not only save you money, you can also highlight, add text, underline add post-it notes, bookmarks to pages, instantly search for the major terms or chapter titles, etc.
You can search our site for other versions of the Grotesque Visions: The Science of Berlin Dada 1st Edition PDF ebook. You can also search for others PDF ebooks from publisher Bloomsbury Academic USA, as well as from your favorite authors. We have thousands of online textbooks and course materials (mostly in PDF) that you can download immediately after purchase.
Note: e-textBooks do not come with access codes, CDs/DVDs, workbooks, and other supplemental items.
eBook Details:
Full title: Grotesque Visions: The Science of Berlin Dada 1st Edition
Edition: 1st
Copyright year: 2021
Publisher: Bloomsbury Academic USA
Author: Thomas O. Haakenson
ISBN: 9781501369902, 9781501369926
Format: PDF
Description of Grotesque Visions: The Science of Berlin Dada 1st Edition:
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
